Robin Hood (2010)
Director: Ridley Scott
Cast: Russell Crowe, Cate Blanchett, Max von Sydow, William Hurt, Mark Strong, Oscar Issac, Danny Huston
Duration: 140 minutes
It has been a full decade since Ridley Scott’s “Gladiator” won our hearts and swept the Oscars. The marketing team of “Robin Hood” makes sure you do not forget the unprecedented success of the multi-Oscar winning film, by printing Crowe’s beastly face and “from Ridley Scott the director of Gladiator” across the promotional posters. Nevertheless, despite the production team and leading man, “Robin Hood” is every bit different from the Roman epic. Like Crowe says, “we didn’t want to do another version of Gladiator.” It is also different from the conventional story of Robin Hood. “We wanted to explore other themes and topics”, Crowe continues. The result is, as the poster describes, the untold story of Robin Hood – how a loyal English soldier became an outlaw residing in the forest.
Since Scott’s version is clearly an unusual take on a usual story, do not expect Robin to rob from the rich and give to the poor just yet. However, the South Shields-born director still offers an eventful story complemented by ruthless sword fights, flying arrows, light-hearted entertainment and heart-warming romance.
Set in 12th century England when King Richard the Lionheart (Huston) was leading the Third Crusade abroad and provincial landowners were heavily exploited at home, the film documents King Richard’s death, King John’s (Issac) crowning, Robin Longstride (Crowe) taking on a new identity and Sir Godfrey’s (Strong) secret plot to help France invade England.
In spite of a simple main plot – a country ruled by brute force and lacking moral must unite to repel foreign invaders, Scott spends considerable time on setting up the scene. A detailed illustration of the historical and political background exposes the misfortune of England under a remorseless leader and the breeding of secrecy and treachery. At the same time, we are introduced to the rarity of honesty and bravery, exemplified in the characters of Lady Marion (Blanchett), Sir Walter Loxley (von Sydow) and Longstride.
As the evil powers gain momentum and the good people get caught up in it, the setup contributes to constructing a coherent story, which takes the audience through Longstride’s arrival in England and encounter in Loxley’s house. Eventually, it brings us closer and closer to the climax when Godfrey’s intentions are revealed and Longstride leads his men to defeat the French on the beach of Dover.
A carefully crafted exposition also helps build solid characters. Longstride first appears in the film as an honest and reserved man, who sometimes enjoys the silly songs, dances and jokes of his Merry Men. Under the influence of Loxley and motivated by new knowledge of his father, he realises his call of duty and fights to protect his country.
On the contrary, Lady Marion enters the film as a fearless lady who defends her property and is sceptical of Longstride’s intention of impersonating her late husband, even though it was Loxley who suggested the idea. The more time they spend together, the more Marion becomes convinced of Longstride’s noble character and gradually softens up her tone and manner.
King John is another impressive character. Upon being crowned the new King of England, he shows utter disrespect for loyal servants at court. He is unmoved by the suffering of his subjects, brought upon by his greed for wealth and power. Despite joining forces with Longstride and William Marshal (Hurt) to fend off the French, John declares Longstride an outlaw out of jealousy and pride. This echoes his display of arrogance and indulgence, even towards his mother, in the beginning of the film and persuades the audience that this King’s real interest lies only within himself.
Those who have seen Scott’s previous works such as “Gladiator” and “Kingdom of Heaven” will agree he is truly a master of creating historical worlds. Shooting on real locations and restraining the use of CGI lend an exciting authenticity and powerful narration to “Robin Hood”, making it all the more precious to see our heroes and villains up-close in real actions in a real England.
Critics commonly agree the film falls short on Crowe’s accent and historical accuracy, but these are immediately compensated by a moving performance from the main and supporting casts. Crowe and Blanchett, among the best of their generation, capture the essence of their characters and make a subtly romantic couple. Von Sydow’s Loxley is brave, funny and awe-inspiring. Issac, as King John, convinces the audience he sees no one but himself, while Strong proves to be this year’s most memorable and likable villain (also in “Kick-Ass” and “Sherlock Holmes”).
So, forget what you know about Robin Hood and Crowe’s shaky accent (though it still sounds British enough for me), and enjoy a summer blockbuster that has everything to offer.














